“One wants to tell a story, like Scheherezade, in order not to die. It's one of the oldest urges in mankind. It's a way of stalling death.” Carlos Fuentes
Sunday, 16 May 2010
THE GAME OF THE ENDLESS POSSIBILITIES
The dancer dances with his metallic partner. She is from steel. He dances with her. With the woman of steel. He develops his body and his soul and his emotions and his mind because of her and with her. And she- the woman of steel- feels him, dances with him, flows, stumbles, falls, gets up. They make love. They dance. They make love. They dance. They make love the dance. They dance the love. He watches her. He touches her. She lowers her eyes and then she looks back at him. She looks deep into him. And then she grabs two daggers. And she dances with the daggers. The woman of steel dances with the daggers and provokes him. And lures him. And he is lured by her. He walks backwards- his back finds a wall- he rests there- he surrenders. She dances with the daggers. The woman of steel dances with the daggers. He surrenders. She dances. He surrenders. She kills him with the daggers. He bleeds- he dies. She kills herself. He comes back to life. She comes back to life. They come back to life. They kiss. They dance the love. They dance. They make love. They dance. They make love. The dancer dances with his metallic partner. She is from steel. He dances with her. With the woman of steel.
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